One Touch of Ecstasy, by Gwynne Wimberly, Frederick Fell, Inc. 1959.
Best line: “There’s a reason we teach you correct posture. If your pelvis isn’t tilted forward, the organs in the area are affected unfavorably.”
The Plot: Poor Louise, married and with an eighteen-year-old daughter has never had an orgasm. Ever since that date-rape in college she’s been all twisted up inside, and marriage hasn’t helped–she’s mired in suburban misery. “The hollandaise had been spectacular” but that can’t disguise the fact that her life is one “cruelly civilized evening of superficiality and loneliness” Continue reading →
The tasteful cover is a harbinger of the tedium to be found within
The House in the Mulberry Tree, by Zena Garrett, 1959, Random House
Book Jacket Copy: “Then Elizabeth’s burgeoning, formless emotions, blown hither and yon by the strife around her, crystallized into a youthful and innocent passion for Nonie, nourished by Nonie’s kindness and Elizabeth’s idealization of the relationship that Carter and Nonie seemed to enjoy.”
A dull southern gothic, penned by first-time author and Carson McCullers-wannabe, Zena Garret. The “About the author” blurb gives the reader fair warning: “Her writing career was postponed, however, because Continue reading →
Twisted Loves, by Mark Ryan “an original Bedside Book”
“A story of strange passions and forbidden lusts that changed a young girl into a twisted sinner!”
This is the template for the exploitation pulp. Lots of big breasted, horny women, sex, sex, and more sex, and then a heterosexual rescue on the final pages. From the cover to the content, this is what most people think of when they think of lesbian pulp.
The Golden Cage, Tereska Torrès (1959, Avon, published by arrangement with the Dial Press)
“Miss Torres is a very naughty Aphrodite presiding over a multitude of libidinous extravaganzas.” (Parade of Books)
Some pulps are meant to be skimmed, and the works of Tereska Torrès belong to that category. She favors the Grand Hotel approach to fiction: a group of disparate people are brought together by unusual circumstances and Tereska tells us a series of colorful, unrelated stories about them. She used this technique in Women’s Barracks (1950), the ground-breaking pulp that started the craze for paperback lesbians, and she uses it in The Golden Cage, one result being that you have to search for the lesbian content in the midst of the mostly heterosexual shenanigans. The set-up in Women’s Barracks is that a group of women are brought together when they join the Free French troops during WWII. In the Golden Cage it’s Continue reading →
“A shockingly candid tale of misbegotten sexuality…” (New York Herald Tribune) “the probable successor to Lolita…you might say Marjorie Lee has dramatized the Kinsey Report” (Hartford Times).
Would that were so! Here’s the shocking truth about this lesbian pulp: no lesbian sex. None. Not even some groping. It’s all come on (look at that cover!) and no delivery. I should have suspected something was amiss, when even Lucy Freeman (author of Fight Against Fears) told me in the forward that I was in for something Continue reading →
From 1942 to 1944, Barbara Deming worked for the Library of Congress as a film analyst. Her job was to go to the movies and take detailed notes about what she watched. By her own account, she saw a quarter of Continue reading →